Las óleos de todo Arnold Bocklin

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70280

Angelika von einem Drachen bewacht oder Angelica und Ruggiero

Medium Oil on wood Dimensions 46 X 67 cm

66171

Angelika, von einem Drachen bewacht oder Angelica und Ruggiero

1873 Oil on wood 46 x 67 cm

67777

Angelika, von einem Drachen bewacht oder Angelica und Ruggiero

1873 Oil on wood 46 X 67 cm

66172

Astolf reitet mit dem Haupte Orills davon

1873 Oil on canvas

40751

Centaur Fight

mk156 1873 Tempera on canvas 105x195cm

23257

Centaurs' Combat (nn03)

1873 Oil on canvas h105 x w195 cm h41 1/4 x w76 3/4in Kunstmuseum,Basel

Children Carving May Flutes

1877 Oskar Reinhart Foundation, Winterthur

88204

Das Spiel der Najaden

1886(1886) Medium Oil on canvas Dimensions 151 x 176 cm (59.4 x 69.3 in) cjr

11726

Diana's Hunt

1896 3' 3 1/4'' x 2' 7 1/2''(100 x 80 cm)

89417

Die Kapelle

oil on canvas, 95 x 70 cm Date 1898(1898) cyf

Elysian Fields

1877 Oskar Reinhart Foundation, Winterthur

38736

Faun Whistling to Blackbird

mk141 1863 Bayerische Staatsgemaldesammlung,Munich

84338

Im Spiel der Wellen

Oil on Canvas Date 1883(1883) cyf

40773

Island of the Dead

mk156 1880 Oil on wood 73.7x121.9cm

45809

Kentaur in the village smiths

mk178 1888 oils on wood 80x100cm

93837

Nessus und Deianeira

1898(1898) Medium oil on canvas cjr

Nymphs Bathing

1863-66 Oskar Reinhart Foundation, Winterthur

88207

Odysseus und Kalypso

1883(1883) Medium Oil on wood Dimensions 104 x 150 cm (40.9 x 59.1 in) cjr

Pan Amongst the Reeds

1856-57 Oskar Reinhart Foundation, Winterthur

95181

Plague

Plague, 1898, Arnold Böcklin. Tempera on wood cyf

40784

Playing in the Waves

mk156 1883 Oil on canvas 180x238cm

96451

Portrait of Anne Catherine Constance as St Catherine

1653(1653) Medium oil on canvas cyf

89872

Selbstportrat mit fiedelndem Tod.

1872(1872) Medium oil on canvas Dimensions 75 x 61 cm (29.5 x 24 in) cjr

56275

self portrait with death playing the fiddle

mk247 1872,oil on canvas,30x24 in,75x61 cm,staatliche museen,alte nationalgalerie,berlin,germany

27047

Self-Portrait in his Studio

mk52 1893 Oil on canvas 120.5x80.5cm Kunstmuseum,Basle

27037

Self-Portrait with Death Playing the Violin

mk52 1872 Oil on canvas 75x61cm Neue Nationalgalerie,Berlin

71090

silence fe la foret

mk289 1896 collection particuliere

66173

Sirenen

1875

72550

Sirenen

1875 cjr

74311

Sirenen

Date 1875 Medium Unknown Dimensions ? cm cyf

71780

Spiel der Wellen

Spiel der Wellen, 1883. canvas, 180 x 236 cm. Neue Pinakothek, Munich.

31193

Tamara and the Demon

mk72 1890-91 Illustration for the poem The Demon by Mikhail Lermontov Black watercolor and white on brown paper pasted on cardboard 66.5x50cm Tretyakov Gallery,Moscow

31194

Tamara's Dance

mk72 1890-91 Illustration for the poem The Demon by Mikhail Lermontov Black watercolor and white on paper 503x4cm Tretyakov Gallery,Moscow

95078

The island of life

Oil on wood Dimensions 94 x 140 cm cyf

The Isle of the Dead

1880 111 x 155 cm Kunstmuseum, Basel

31189

The Isle of the Dead

mk72 1880

56319

the lsland of the dead

mk247 1886,oil on wood,31.5x59 in,80x150 cm,museum der bildenden kunste,leipzig,germany

The Sacred Wood

1882 Kunstmuseum, Basel

31191

The Seated Demon

mk72 1890 Oil on canvas 114x211cm Tretyakov Gallery,Moscow

31192

The Seated Demon

mk72 1890

34013

The Waves

mk87 1883 Oil on canvas 180.3x237.5cm Munich,Bayerische Staatsgemalde sammlungen,Neue Pinakothek

21554

The Waves (mk09)

1883 Oil on canvas,180.3 x 237.5 cm Munich,Bayerische Staatsgemalde-sammlungen,Neue Pinakothek

Triton and Nereid

1877 Oskar Reinhart Foundation, Winterthur

22316

Venus Genitrix (mk19)

1895 Oil on canvas,115 x 170 cm Kunsthaus Zurich,Zurich

96520

Villa am Meer

1878(1878) Medium oil on canvas Dimensions 110 x 160 cm cyf

War

Staatliche Kunstsammlungen, Dresden

86621

Zerstortes Haus in Kehl

Date 1870(1870) Medium Oil on canvas Dimensions 20.5 x 35.5 cm (8.1 x 14 in) cjr

Arnold Bocklin

Swiss 1827-1901 Arnold Bocklin Locations Arnold Bocklin was born on Oct. 16, 1827, in Basel. He attended the Dusseldorf Academy (1845-1847). At this time he painted scenes of the Swiss Alps, using light effects and dramatic views subjectively to project emotional moods into the landscape. In 1848 this romantic introspection gave way to plein air (open-air) objectivity after he was influenced by Camille Corot, Eugene Delacroix, and the painters of the Barbizon school while on a trip to Paris. But after the February and June revolutions Bocklin returned to Basel with a lasting hatred and disgust for contemporary France, and he resumed painting gloomy mountain scenes. In 1850 Bocklin found his mecca in Rome, and immediately his paintings were flooded by the warm Italian sunlight. He populated the lush southern vegetation, the bright light of the Roman Campagna, and the ancient ruins with lonely shepherds, cavorting nymphs, and lusty centaurs. These mythological figures rather than the landscapes became Bocklins primary concern, and he used such themes as Pan Pursuing Syrinx (1857) to express the polarities of life: warm sunshine contrasts with cool, moist shade, and the brightness of womans spirituality contrasts with mans dark sensuality. When Bocklin returned to Basel with his Italian wife, he completed the painting which brought him fame when the king of Bavaria purchased it in 1858: Pan among the Reeds, a depiction of the Greek phallic god with whom the artist identified. He taught at the Academy of Art in Weimar from 1860 to 1862, when he returned to Rome. Called to Basel in 1866, he painted the frescoes and modeled the grotesque masks for the facade of the Basel Museum. Bocklin resided in Florence from 1874 until 1885, and this was his most active period. He continued to explore the male-female antithesis and painted religious scenes, allegories of Natures powers, and moody studies of mans fate. He ceased working with oils and began experimenting with tempera and other media to obtain a pictorial surface free of brushstrokes. Bocklin spent the next 7 years mostly in Switzerland, with occasional trips to Italy; he devoted much of his energy to designing an airplane. Following a stroke in 1892, he returned to Italy, bought a villa in Fiesole, and died there on Jan. 16, 1901. Many of his late works depict nightmares of war, plague, and death.

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